{"id":5765,"date":"2024-12-30T07:34:01","date_gmt":"2024-12-30T07:34:01","guid":{"rendered":"https:\/\/ultraluxe.uat2.deegix.com\/?post_type=portfolio&p=5765"},"modified":"2024-12-30T07:34:06","modified_gmt":"2024-12-30T07:34:06","slug":"ed-wiener","status":"publish","type":"portfolio","link":"https:\/\/ultraluxeglobal.com\/ultraclub\/portfolio\/ed-wiener\/","title":{"rendered":"Ed Wiener"},"content":{"rendered":"\n
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Ed Wiener<\/h2>\n\n\n\n\n

Wiener\u2019s career started in the 1940s in the bohemian hot bed of Greenwich Village, where he produced hand-hammered silver jewellery alongside other artists such as Sam Kramer and Art Smith. Although his early jewellery found formal inspiration in Alexander Calder, as he progressed, Wiener evolved his own vocabulary, often shaped by his interest in adopting new materials and techniques in casting, setting, and joining. By the late 1960s\u201380s, he was on Madison Avenue, adopting a post-modern aesthetic in which he revived medieval gold settings with semi-precious stones, historical references including pre-Columbian forms, and semiotic play.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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